Choosing over Producing | Duchamp, the Readymade and Generative AI
If choosing can be an artistic act, what am I contributing when I select an AI-generated image?
Don’t Paint What You See | Links and Further Reading
A starting point for artists exploring AI, creative rights and image provenance.
Don’t Paint What You See | Part 3: Reflections on AI, Creative Labour and Authorship
What changes when the software I use doesn’t simply help me make an image, but generates the visual elements for me?
Don’t Paint What You See | Part 2: Reflections on AI-Assisted Art and Community Responses
What happens when the art world hasn’t agreed on what to make of AI-assisted art either?
Don’t Paint What You See | Part 1: Reflections on Painting From AI‑Generated Imagery
A reflection on what happens when the thing you’re painting from isn’t real, but a hallucination generated by AI.
Introducing the YouTube Channel that sits inside my PhD exploring Generative Technologies in the Visual Arts
I am currently building a YouTube channel called Unicorn Vomit: Art in the Generative Era!
Painting the Machine: Why I’m Using AI in My Traditional Art Practice
The role of AI in the creative industries—both as a tool and as a threat
I Am Wherever You Find Me
A discussion on how I used AI-generated resource images in the painting of ‘I am wherever you find me’…
How I use AI in my traditional painting practice
Breaking down the first three paintings I created using AI image-generation technologies.
Brisbane Street Art Festival 2024 | Within These Walls Exhibition
I am proud to be one of the artsits who will have some of their work on display as part of the Brisbane Street Art Festival from the 5th to the 19th of May
Fairholme Open Art Prize – FACETS
‘The Traveler’ has been accepted into this year’s Fairholme Open Art Prize
‘Hallucination’ exhibition
I will be exhibiting new work at the Toowoomba Reginal Rosalie Gallery throughout April
